I was recently a lucky finalist with one of my glass orchids for the BBC’s forthcoming production, ‘Paul Martin’s Handmade Revolution’. Due to be aired on BBC 2, autumn/winter 2012, the popular ‘Flog It’ presenter’s concept is set to be another ground-breaking winner for our delectation. Paul Martin’s career is a splendid evolution of artist and creative thinker whose varied pursuits have culminated in superb programmes for Aunty Beeb. He’s a ‘muso’ too; played drums for, ‘The Average White Band’; sooo my era! And he still swizzles the sticks with local blues and jazz bands at home; good for him. His genuine passion for arts and crafts, both ancient and contemporary, oozes from our screens on ‘Flog it’, tempered by a gentle light-heartedness that endears you to him immediately.
‘Handmade Revolution’
is a seamless natural progression of his zeal for all things unique and
beautiful, made by the hands of similarly passionate people. With the aim of
encouraging viewers to experiment and perhaps discover hidden talents, the
format of the programme also delves into the rich history of Britain’s arts and
crafts heritage.
Having spent two gloriously
sunny days at the Jinney Ring Craft Centre, Bromsgrove, for the filming, I was
stunned by the variety, quality of craftsmanship and creative talent
represented. People with very little - if any in some cases - formal training,
producing breathtaking works of art and craft born of enthusiasm and natural
creativity. I believe there were over a thousand applications originally and
the whittling process was very tough. I was overjoyed to be invited to audition
and thoroughly convinced I didn’t stand a chance of making the finals when I
saw just a few of the potential candidates work. I danced about my studio for
quite some time when I received the call congratulating me on being selected.
A nervous few weeks
followed as I made an orchid especially for the show; the usual, ‘if it can, it
will’ minor irritations occurred during the lengthy process, but despite always
feeling the next one will be ‘better’, I was satisfied with the end result.
Phalaenopsis Phenomena ‘Revolution’ was then laid to recline on a gossamer bed
in a locked room until ‘D’ Day.
Upon arrival at the
location, nervous tension was palpable; mostly from me, but good old BBC pros
looked after perspiring participants with admirable calm and good humour. The
sun put its hat on for us, but the Jinney Ring’s duck population were dwiving
the sound men quackers. I think I heard ‘orange sauce’ mentioned a number of times.
Avian hooligans and
ensuing overruns aside, one by one we braved the fiendish black boxes and
seized our opportunity to shine. I’ve only been making glass for about a year,
so I was particularly nervous of discussing my work with the judge, but she was
genuinely enthused by everything I said and asked some very searching questions.
I know I babbled, but that’s what editors are for.
Day two was even more
nerve-wracking. Judgement day. Naturally, everyone wanted to be the judges’
favourite and win the mystery prize; but there wasn’t a single confident face. The ‘wall of death’; a blacked out marquee in
the grounds of the Jinney Ring, was the focus of attention as the judges
deliberated over our labours of love. The temperature inside the marquee was rising
exponentially as the hot summer day wore on, and sweltering camera crew
regularly exited the tent and dropped like flies on the lawns, guzzling tepid
water as they wiped dripping brows.
When it was at last
our turn to run the steamy gauntlet, Paul and the judges, also seeking respite
from the heat, did their best to bolster our frazzled nerves with words of
encouragement. Finally, we made our entrance and stood before our pieces
displayed on a table. My initial reaction was one of awe as I looked upon the
work of my rivals. I had only managed to peek at a couple of the entries during
filming, but the standard displayed before me was a joy to behold. Paul
announced the highly secret ‘prize’, garnering a number of sharply drawn
breaths and broad smiles. I was utterly astounded and I think it probably
showed quite a bit; I do hope I didn’t have spinach stuck in my teeth.
Before the favourite
was announced, I’d already mentally cast my vote. I was proved to be in agreement
with the judges. The work is stunning; its creator phenomenally talented and
skilled. I was bowled over by it in an instant and I know viewers will be too. A
truly deserved triumph and I hope a dream is lived as a result.
All in all, I had a
thoroughly enjoyable weekend in a glorious part of the country and participated
in what is certain to be another well-deserved hit for Paul Martin, the BBC and
the talented contributors whose artistry and craftsmanship superbly validated
the entire concept.
Be sure to watch out
for it later this year . . . I’ll be checking in to make sure you do!
Hi, I am going to be on the programme too, episode 5! I love your glass orchids, they are beautiful. The detail you put in to them is amazing, must take a lot of skill.
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Hi Katie, thank you for your kind words. I am going to be glued to the set - recording it all too! I shall look out for you - well done!
ReplyDeleteGreat Program saw it today on BBC in Belgium.
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